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Absentminded_Wizard
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Post by Absentminded_Wizard »

Prak_Anima wrote:
Absentminded_Wizard wrote:Well, MST3K was really on its last legs when they cancelled it. But they've been a perrenial disappointment. In the beginning, they used to have a news show that covered all the different kinds of science fiction--not only TV and movies, but books too. Ever since they cancelled that, they've been devolving. Right now, everything they do that isn't a rerun is a TV premiere of a usually really shitty straight-to-DVD movie with the production values of a children's lemonade stand.
fixd.
I thought "straight-to-DVD" implied all those things you bolded.
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Post by Ganbare Gincun »

Absentminded_Wizard wrote:Well, MST3K was really on its last legs when they cancelled it.
Given the fact that MST3K was left to languish and die in a Saturday 6 AM time slot, I'm not surprised that it was eventually "canceled". They did well for a while on the Sci-Fi Network, but once the leadership at Sci-Fi changed, they were set up for failure and doomed to oblivion.

Given the success of Cinematic Titanic and RiffTrax, I think it's pretty clear that there's a real market for that kind of entertainment. It's just that the idiots at Sci-Fi would rather spend their time putting on vapid shit about hunting ghosts, terrible knock-offs of big budget films, and sitting around trying to figure out how to rename their network with the goofiest name possible.
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Post by Absentminded_Wizard »

The quality of MST3K was going downhill in its later days on Comedy Central. Granted, some of that had to do with the fact that they'd exhausted just about all the sci-fi and horror B movies they could get access to. I was hoping that access to Sci-Fi's exclusive collection of old SF movies would help. In the end, though, I think the drastic changes in the setup didn't work for them (the show's supposed to be about the movies and the jokes about them, not the meta-plot). That said, I'd still rather watch even that version of MST3K than the standard SyFy Saturday night movie....
Doom314's satirical 4e power wrote:Complete AnnihilationWar-metawarrior 1

An awesome bolt of multicolored light fires from your eyes and strikes your foe, disintegrating him into a fine dust in a nonmagical way.

At-will: Martial, Weapon
Standard Action Melee Weapon ("sword", range 10/20)
Target: One Creature
Attack: Con vs AC
Hit: [W] + Con, and the target is slowed.
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Post by Maj »

Maxus wrote:I still loathe that 'Merlin' show with every fiber of my being. The plot is, "How can Merlin scurry behind the scenes to keep Arthur alive THIS week?"
Merlin is the equivalent of Smallville for fantasy lovers. It's not supposed to be some sweeping epic tale of Merlin and Arthur. It's supposed to be the high school version of the legend. In that regard, I think it works just fine.
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Uthur: Shut up! Just because you were right about the magic shield three weeks back...And about the witch-woman. And probably some other stuff that I didn't even know about...doesn't mean you're right now!
Not exactly...

Uther's an ass. It doesn't matter if a creature is magical or not - no one on his side is allowed to do magic. Ever. For any reason. There's not even allowed to be a discussion on that point. And so, even though the beast must be slain with magic, no one is allowed to do the magic required to kill it. So Arthur must go out and poke it until something different happens - which in this case was retreat, let Lancelot have a go while Arthur was hiding out, and let Merlin secretly do the magic no one else is allowed to do.

There are other issues the show suffers from - continuity being one of those. The last episode was so bad in that regard that I had a hard time watching. Day! Night! Day! Night! Day! It was almost as bad as House of Flying Daggers in that regard. And what the hell is up with Guinevere? Her name means pale/white/fair. The actress is... Not.
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Post by Psychic Robot »

To interject my own opinion:

Evangelion lost me completely. I tried reading the manga in hopes that I might better understand what was going on, but the dialogue was unnaturally phrased, something that quickly got under my skin. The art was also sloppy, making it difficult to tell what was happening in the scenes.
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Post by Maxus »

Maj wrote: Some very reasonable points about Merlin
I agree; I'm likely being unduly harsh and irritable because that out of all the rich variety of fantasy out there, ripe for adaptation...THIS is what appears on TV. I guess I'm not a member of the target audience.

Also, yeah, what's up with Guinivere?
He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.

--The horror of Mario

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Post by PhoneLobster »

Maj wrote:Merlin is the equivalent of Smallville for fantasy lovers. It's not supposed to be some sweeping epic tale of Merlin and Arthur. It's supposed to be the high school version of the legend.
I'd say you were wrong and that Merlin is rather "lets make a lame teen soap with a gimmick to draw people in, lets see, gimmick hat... "Merlin", right lets make "Merling the teenage witch" What do you mean we can't use "teenage witch!" OK, then just cut that off the end of the title..."

But really since Smallville is basically the same thing only they drew "Superman" out of the lowest common denominator gimmick hat you are basically right.

Except for the point where you think that either show is somehow a good thing. I mean you could swap out Clarke and Merlin and change the costumes and the shows would be interchangeable low quality dross.

Gimmicks potentially still in the "Gimmicks for lame teen soapy" hat,
Batman the teenage witch
Al Capone the teenage witch
Attilla the Hun the teenage witch
Jr Cardinal Ratzinger the teenage witch
That Flamboyant pirate from the pirates from the carribean, the teenage witch
High School President Clinton, the teenage witch
Jesus Christ, the teenage witch

Gimmicks already removed from the hat,
Merlin the teenage witch
Superman the teenage witch
Little Grey XFile Aliens, the teenage witches
Cloned Jesus, the teenage witch
Sabrina the teenage witch
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Post by Koumei »

PhoneLobster wrote: Sabrina the teenage witch
You made that one up.
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Post by Crissa »

Except, Superman actually went to high school.

This has Captain N Babies written all over it.

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Count Arioch the 28th
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Post by Count Arioch the 28th »

Maxus wrote: Also, yeah, what's up with Guinivere?
She's a whore?

Then again, I've never seen the show. It all depends on who is telling the story, supposedly there's an interpretation that Launcelot and Arthur were bi and the three had fun like that.
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Post by Maxus »

Not exactly. Here's a picture of the cast...

Image

Merlin and Arthur are in the middle. To the left of Merlin is Guinevere.
Last edited by Maxus on Wed Jul 22, 2009 5:18 pm, edited 1 time in total.
He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.

--The horror of Mario

Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
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Post by mean_liar »

The Lady of the Lake is the antagonist in the 1st season? Well. That's a little unorthodox.
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Post by Maj »

PhoneLobster wrote:Except for the point where you think that the show succeeds at being the teen angst version of the legend.
Fixed.

Just because I believe that the show succeeds at being high schoolish doesn't mean that I believe it's good. That's like saying that GW Bush was a good president because he makes a good chimpanzee.
Count Arioch wrote:She's a whore?
Not yet.
Maxus wrote:Merlin and Arthur are in the middle. To the left of Merlin is Guinevere.
I think Morgana's pretty hot (far left), but what do I know?
mean liar wrote:The Lady of the Lake is the antagonist in the 1st season? Well. That's a little unorthodox.
I thought Nimueh was always antagonistic - toward Merlin. Which seems to be her motivation, though it's kind of hard to tell.
Last edited by Maj on Wed Jul 22, 2009 7:16 pm, edited 1 time in total.
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Post by angelfromanotherpin »

Count_Arioch_the_28th wrote:She's a whore?
Let's be clear. Guinevere never took money for her favors, so she is at worst a slut. In fact, the only person ever to actually shell out cash for her (Arthur, in the form of bride-price and ransoms) is also a person she didn't put out for.

But let's take a step back.

While there have been as many versions of this story as stars in the sky, in general the marriage of Arthur to Guinevere is portrayed as at least initially political. And there's good reason to believe that in the earlier versions, when they get married, Arthur is about 13 and Guinevere is in her early 20s. Immediately their lack of sexual chemistry becomes clearer.

And when Guinevere doesn't want to put out for Arthur, he respects that, specifically because he's the child of a rape and has sworn not to repeat his father's sins.

That's the position they were in before the French started writing bad Tristan and Iseult fanfic all over the Arthurian mythos. They may have liked each other, but they were not in love; and both were in a position to want to step out on the other.
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Post by Koumei »

The best thing about that series is that it has Giles the Repo man in it. And I usually don't care about actors and get pissed off by people who watch/like movies/shows just because it has so-and-so in it.

That being said, I don't watch it.
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Post by PhoneLobster »

Maj wrote:Fixed.
I'll agree with you if we can negotiate a more derogatory term than "teen angst" for the genre. I'd prefer something like "Shallow poorly written teen targeted trash".

"Teen angst" sounds too much like there is potentially some redeeming dramatic quality to it, rather than a poorly executed buzz word filled attempt to get the lowest common denominator audience to swallow it hook line an sinker.
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Post by Maj »

Phone Lobster wrote:"Teen angst" sounds too much like there is potentially some redeeming dramatic quality to it
In my vocabulary, both "teen angst" and "high school" are very derogatory terms. But if you prefer "shallow, poorly-written, teen-targeted trash," that's OK with me.

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Post by Ganbare Gincun »

Psychic Robot wrote:Evangelion lost me completely. I tried reading the manga in hopes that I might better understand what was going on, but the dialogue was unnaturally phrased, something that quickly got under my skin. The art was also sloppy, making it difficult to tell what was happening in the scenes.
Haven't read the manga, but watched the anime plenty. What do you have questions about?
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Post by Lago PARANOIA »

Wow. The ending of Hokuto no Ken 2 was just awful. I mean, I really loved the ending montage and the song but the final battle with Kaioh and the subplot with Han was just garbage. Even for a series that I don't take too seriously and have low standards for, this was just bad. Not Chrono Cross bad, but definitely the low point of the series.
Ganbare Gincun wrote:Haven't read the manga, but watched the anime plenty. What do you have questions about?
What was up with the series going out of its way to derail Shinji's character growth when the purpose of the first 3/4ths of the series was to show him growing out of his psychological issues? I've only watched the series over my brother's shoulder, but after what happened to Rei I have no idea how anyone can see what happened and not be majorly pissed off at the story doing that.
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Post by Ganbare Gincun »

Lago PARANOIA wrote:What was up with the series going out of its way to derail Shinji's character growth when the purpose of the first 3/4ths of the series was to show him growing out of his psychological issues? I've only watched the series over my brother's shoulder, but after what happened to Rei I have no idea how anyone can see what happened and not be majorly pissed off at the story doing that.
You are referring to the final two episodes of the series, I presume?
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Post by Lago PARANOIA »

Yes.
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.

In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
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Post by Koumei »

Lago PARANOIA wrote:but after what happened to Rei I have no idea how anyone can see what happened and not be majorly pissed off at the story doing that.
Which particular incident? You mean all her spare bodies being destroyed, or her exploding herself to save him (then a new one wandering along and not being entirely sure what she did)? Or possibly something else that I forgot?

And I wasn't a big fan of the last two episodes, but it didn't fill be with the kind of rage that others felt - the ones who sent death threats to Anno, for instance. And that is why he made Death & Rebirth + The End of Evangelion. As a way of saying "Yeah, well fuck you. In the ass." to those fans.

...and I hear there are two other movies for Eva that I didn't know about.
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Post by Lago PARANOIA »

The one where Rei exploded herself to save him which meant that all of the character development she had with Shinji up until then went down the tubes.
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.

In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
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Post by mean_liar »

I just watched the finale of Samurai Champloo. What a bag of shit that was. Jin and Mugen should have died, and why the fuck was everyone all hot-shit to kill a man on his deathbed?
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Post by Koumei »

I only watched the first few episodes of that one. It wasn't bad, but I couldn't build up the interest to watch the whole lot.
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